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Current Exhibition

UPcoming Exhibition

past Exhibition

On View 

ᎺᎵ ᏔᎻᏏᏂ Mary Welch Thompson: Connecting Cherokee Culture and Innovation

ᎺᎵ ᏔᎻᏏᏂ Mary Welch Thompson: Connecting Cherokee Culture and Innovation

On view

Jul

29

Sep

9

Through

Jul

29

Sep

9

When

Jul 29, 2022

Sep 9, 2022

Close up of basket

Photo credit:

ᎺᎵ ᏔᎻᏏᏂ Mary W. Thompson, Hoot Eye, 2019. Courtesy of the Artist. Photograph by Alyssa Ruberto.

Current Exhibition

UPcoming Exhibition

past Exhibition

On View 

ᎺᎵ ᏔᎻᏏᏂ Mary Welch Thompson: Connecting Cherokee Culture and Innovation

On view

Jul

29

Sep

9

Through

Jul

29

Sep

9

When

Jul 29, 2022

Sep 9, 2022

Close up of basket

Photo credit:

ᎺᎵ ᏔᎻᏏᏂ Mary W. Thompson, Hoot Eye, 2019. Courtesy of the Artist. Photograph by Alyssa Ruberto.

Current Exhibition

UPcoming Exhibition

past Exhibition

On View 

ᎺᎵ ᏔᎻᏏᏂ Mary Welch Thompson: Connecting Cherokee Culture and Innovation

On view

Jul

29

Sep

9

Through

Jul

29

Sep

9

When

Jul 29, 2022

Sep 9, 2022

Close up of basket

Photo credit:

ᎺᎵ ᏔᎻᏏᏂ Mary W. Thompson, Hoot Eye, 2019. Courtesy of the Artist. Photograph by Alyssa Ruberto.

FRONT & CENTER

Front & center

Artist ᎺᎵ ᏔᎻᏏᏂ Mary Welch Thompson (Eastern Band Cherokee) bridges traditional Cherokee culture and contemporary life. Working across media, including basket making and pottery, her forms and patterns embody a continuous lineage of Cherokee past and present. Since 2019, Thompson has served as the consulting artist for “The Basket,” a new public art installation in downtown Asheville designed to recognize, hold space, and increase public knowledge surrounding past and present Cherokee arts, culture, tradition, and language.

To honor Thompson’s expertise and significant contribution to this installation, the Center for Craft commissioned the artist to create three, large-scale river cane mats. The weavings, which were uniquely considered to be viewed in the round, incorporate traditional Cherokee patterns, such as “Peace Pipe” and “Noonday Sun,” as well as Thompson’s distinct compositions. Within the exhibition, you may note that Thompson has woven her syllabary mark as a signature in the bottom corner of each mat. These mats are on view for the first time alongside examples of the artists’ rivercane baskets and designs as part of this exhibition.

OPENING RECEPTION

,

,

Where

Bresler Family Gallery

67 Broadway St., Asheville, NC, 28801

ARTISTS

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ARTISTS

EasterN Band Cherokee Exhibiting Artists

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CURATed By

Exhibition management BY

Installation by

Exhibition design

Edited by

Graphic Design by

Photography by

exhibition events

The events for this exhibition have passed. See our full calendar for upcoming events.

Meet the artists

ᏚᏍᏓᏯᎫᎾᏱ Gabriel Crow

Cherokee, NC

Faye Junaluska

Cherokee, NC

Lucille Lossiah

Ramon Lose

Cullowhee, NC

ᏯᏗ ᎺᏂ Betty Maney

Cherokee, NC

ᏗᎳᏂ Dylan Morgan

Cherokee, NC

ᎺᎵ ᏔᎻᏏᏂ Mary W. Thompson

ᏎᎳᏂ ᏔᎻᏏᏂ Sarah Thompson

Patricia Welch

Field Building

Meet the artists

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Field Building

CRAFT RESEARCH TALK

View the catalog

View the catalog

View the catalog

about the artists

Photo credit: Jamie Hopper

ᎺᎵ ᏔᎻᏏᏂ Mary W. Thompson

ᎺᎵ ᏔᎻᏏᏂ Mary W. Thompson is an esteemed second-generation basket weaver, veteran, entrepreneur, and enrolled member of the Eastern Band of Cherokee Indians (EBCI).

Continue reading...

She expresses her appreciation for her ancestry and culture through her woven creations. The daughter of Geraldine W. Walkingstick and mother to ᏎᎳᏂ ᏔᎻᏏᏂ Sarah Thompson, ᎺᎵ ᏔᎻᏏᏂ Mary W. Thompson is the link to three generations of basket weavers. Thompson's work has received numerous awards and is part of the permanent collection of the University of South Alabama, Mobile. She is the recent recipient of a prestigious Arrowmont 2021 Appalachian Craft and Culture Fellow and the South Arts 2021 Folk & Traditional Arts Master Artist Fellowship. Her work has been published in the National Basketry Organization’s Tradition & Innovation in Basketry Today Juried & Invitational exhibition All Things Considered, and WNC Mountain Living Magazine. Mary has also taught basketry at the Arrowmont School of Arts & Crafts in Gatlinburg Tennessee, Sequoyah Museum in Vonore, Tennessee, and at the Museum of the Cherokee Indian, Cherokee, North Carolina. A veteran of the United States Air Force, Mary has served four terms representing the tribal members in the legislative branch of the Tribal Government. A mom, gardener, potter, and basket weaver, she continues to volunteer in the community and serves on several national and local boards.

about the curator

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exhibition Images

exhibition Images

ᎺᎵ ᏔᎻᏏᏂ Mary Welch Thompson: Connecting Cherokee Culture and Innovation

is

curated

by

2023

Curatorial

Fellow

and

organized

by

the

Center

for

Craft.

The 2023 Curatorial Fellowship is supported, in part, by the Stoney Lamar Craft Endowment Fund.

Thank you to Phillips, the leading auction house in art and design, for sponsoring the Curatorial Fellowship show.

The

Center

for

Craft

is

supported

in

part

by

the

,

a

division

of

the

Department

of

Natural

and

Cultural

Resources.

2023

Curatorial

Fellow

This exhibition was supported, in part, by the John W. and Anna H. Hanes Foundation,

and Buncombe County Government.

The 2023 Curatorial Fellowship is supported, in part, by the Stoney Lamar Craft Endowment Fund.

Thank you to Phillips, the leading auction house in art and design, for sponsoring the Curatorial Fellowship show.

The

Center

for

Craft

is

supported

in

part

by

the

,

a

division

of

the

Department

of

Natural

and

Cultural

Resources.

2023

Curatorial

Fellow

A special thanks to

and the

for sponsoring Hammer and Hope.

The 2023 Curatorial Fellowship is supported, in part, by the Stoney Lamar Craft Endowment Fund.

Thank you to Phillips, the leading auction house in art and design, for sponsoring the Curatorial Fellowship show.

The

Center

for

Craft

is

supported

in

part

by

the

,

a

division

of

the

Department

of

Natural

and

Cultural

Resources.

The 2023 Curatorial Fellowship is supported, in part, by the Stoney Lamar Craft Endowment Fund.

Thank you to Phillips, the leading auction house in art and design, for sponsoring the Curatorial Fellowship show.

Preservers, Innovators, and Rescuers of Culture in Chiapas is supported, in part by,

The Center for Craft is supported, in part, by the

Aram Han Sifuentes is a recipient of the Center for Craft’s 2022 Craft Research Fund Artist Fellowship. This substantial mid-career grant is awarded to two artists to support research projects that advance, expand, and support the creation of new research and knowledge through craft practice.

This

exhibition

is

supported

in

part

by

the

the

and

For a full listing of the generous funders supporting the Center for Craft and our programming visit centerforcraft.org/support

This

exhibition

is

supported

in

part

by

the

the

and

the

a

division

of

the

Department

of

Natural

and

Cultural

Resources.

For a full listing of the generous funders supporting the Center for Craft and our programming visit centerforcraft.org/support

The

Center

for

Craft’s

John

Cram

Partner

Gallery

presented

in

collaboration

with

UNC Asheville transforms lives through leadership and education. The designated liberal arts and sciences institution for the UNC System and one of the nation’s top 10 public liberal arts universities, UNC Asheville enrolls 3,600 students and offers more than 30 undergraduate majors and a Master of Liberal Arts and Sciences degree. UNC Asheville also encourages students to take part in a nationally acclaimed undergraduate research program and participate in interdisciplinary learning. From internships and hands-on projects, to study abroad and community engagement, students experience an education that extends beyond campus into the vibrant City of Asheville, the surrounding Blue Ridge Mountains and the world.

and

A liberal arts college grounded in social responsibility, where hard work and community are more than just words.

.

This

exhibition

is

supported

in

part

by

the

the

and

For a full listing of the generous funders supporting the Center for Craft and our programming visit centerforcraft.org/support

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17

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31

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17

Jul

13

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Susana Maria Gómez Gonzalez, Maria Gonzalez Guillén, and Anastacia Juana Gómez Gonzalez with their artworks in Zinacantán in Chiapas, México.

Exhibition

Preservers, Innovators, and Rescuers of Culture in Chiapas

Through

Nov

17

Jul

13

Learn More