Center for Craft 25th anniversary logo in red
Center for Craft 25th anniversary logo in red

about the Center

We serve makers, teaching artists, researchers, organizations, and institutions by activating resources and catalyzing craft communities activating resources and catalyzing craft communities.

Celebrating Impact

Over the past three decades, the Center for Craft has invested $8.29 million and counting in grants and fellowships to craft artists, researchers, and organizations nationwide. Our programs have always responded to what the field needs next—lifting creative practice, expanding scholarship, and raising visibility for how and why craft matters.

As we prepare for the 2028 opening of the nation’s foremost Community Library and Archives dedicated to American craft, we are deepening our thinking about the intersections of preservation and innovation, local and national, past and future. A new initiative launching later this year will fortify the field like nothing we have done before.

Join us for a year of announcements and bold new directions as we move craft forward, together.

Vision, Mission & Values

Vision

We envision a culture where communities celebrate and embrace the centrality of craft in everyday life.

Mission

We resource, catalyze, and amplify how and why craft matters.

Values

Best Practice

Our work is concentrated on the most creative and original artists and ambitious research in order to fortify the field with rigorous standards of making and intellectual inquiry.

Emerging Voices

The future of the craft field is in the hands of the next generation. We support the ideas, voices, and the professional development of emerging craft makers, curators, scholars, and critics.

Cross-Disciplinary

We understand craft as relevant and meaningful to a broad spectrum of disciplines. We invite “cross pollination” through collaborations, discussions, and sharing across subjects.

Diversity

We respect, value, and celebrate the unique attributes, characteristics and perspectives that make each person who they are. We foster open communication of diverse perspectives and bring a broad range of individuals together to enrich and support programming.

Efficiency

We intentionally work both lean and efficiently, expanding and contracting our resources to fit the needs of each project.

Learning

We value the importance of higher education to train both makers and researchers. We also recognize that learning happens outside of formal educational systems, including studios, galleries, and other alternative spaces.

Collaboration

By joining forces we can build audiences, and increase capacity. Partnerships allow us to strengthen the craft community and leverage shared resources.

Critical Thinking

We encourage and stimulate inquiry and dialogue. This allows the craft field space to dance with a concept – to clarify, examine, and document a complexity that allows for growth and deeper understanding. We work to address the scarcity of intellectual engagement with craft in higher education and museums by supporting research and scholarship.

Field building

Field building

What is Craft?

Craft is a particular approach to making, grounded in materials, skill, and process. Artists, makers, scholars, and curators continue to grow the field—embracing new definitions, technologies, and ideas—while honoring craft’s history and traditions.

Craft demonstrates creativity, ingenuity, and practical intelligence. It strengthens communities, connects us to cultural histories, and contributes to a sustainable future.

Milestones at the Center

1994–1995

Study commissioned by Handmade in America recommends a new organization to integrate craft history, criticism, and education at the college level.

1996

Center for Craft is established as an inter-institutional public service center of the University of North Carolina (UNC) by the Board of Governors and General Assembly in May.

1998

Center for Craft receives 501(c)(3) nonprofit authorization on July 22.

2001

The Kellogg Center—the Center for Craft’s first home—opens in Hendersonville, North Carolina.

2002

Center for Craft holds its first Craft Think Tank, gathering thought leaders from around the country to address the needs of the craft field.

2005

Center for Craft announces the first round of Craft Research Fund grants, which award $95,000 to craft researchers, museums, students, and scholars for craft-related exhibitions, publications, and projects.

2006

Center for Craft awards the first Windgate Fellowships, providing $15,000 to 10 undergraduate students annually.

2008

Center for Craft supports the launch of the Journal of Modern Craft, the first peer-reviewed academic journal to provide an interdisciplinary and international forum in its subject area.

2010

Center for Craft publishes Makers: A History of American Studio Craft, the first comprehensive survey of studio craft in the United States.

2012

The Craft Research Fund expands to include Exhibition Research grants.

2013

Center for Craft purchases a historic three-story building in downtown Asheville and consolidates efforts under the 501(c)(3) as an independent entity from the UNC system.

2014

The Center’s gallery opens to the public, exploring contemporary processes of making.

The Center curates and produces an exhibition of works by previous Windgate-Lamar Fellows for the SOFA (Sculpture, Object, Functional Art & Design) Expo in Chicago.

2015

Elissa Auther is named the first Windgate Research Curator, a collaborative position between the Museum of Arts and Design, Bard Graduate Center, and Center for Craft.

2016

UNC Asheville partners with the Center for Craft to launch the Center for Creative Entrepreneurship, now called Craft Your Commerce, a program by Mountain BizWorks serving Western North Carolina’s small businesses.

2017

Center for Craft launches the Curatorial Fellowship to support emerging curators presenting new ideas about craft.

Warren Wilson College partners with the Center for Craft to launch the first master’s-level program in critical craft studies in the United States, which ran for five years through 2022.

2018

Center for Craft establishes the Stoney Lamar Craft Endowment Fund to support fellowships and internships for emerging artists and curators.

2019

Center for Craft hosts a Grand Reopening celebration following the first renovation of its wholly-owned facility at 67 Broadway.

2022

Center for Craft develops and launches a renewed mission and strategic plan, Craft Matters, focused on broadening the impact of craft beyond academic contexts and amplifying why craft matters to society.

2024–2025

Center for Craft reactivates its Craft Futures Fund to support craft artists and organizations in Western North Carolina impacted by Hurricane Helene. It mobilizes to disburse $1.3 million in unrestricted funds to 892 recipients.

2025

Center for Craft celebrates 20 years of the Craft Research Fund, providing cornerstone funding for neglected questions in craft history, theory, and criticism—with nearly $2 million distributed to 255 projects in 41 states, DC, and Puerto Rico.

At an event in October, the Center announces the acquisition of the American Craft Council Library and Archives, a landmark transfer that will move one of the nation’s foremost collections on American craft to Asheville.

2026

Center for Craft turns 30, marking three decades of shaping and catalyzing the future of craft.

Board & Staff

Board of Directors

President

  • Meaghan Roddy

Vice President

  • Elizabeth Essner

Treasurer

  • Ed Bresler

Secretary

  • SHENEQUA

Members

Michael Andry, Libba Evans, Ray Hemachandra, Suzanne Isken, Kelsey Keith, Steven Young Lee, Al Murray, Kayleigh Perkov, Molly Purnell, Fred Sanders, Emily Zaiden

Director Emeritus

Stoney Lamar

Our Staff

Stephanie Moore

Executive Director

Marilyn Zapf

Senior Director of Programs & Curator

Daniel Nevers

Director of Development & Marketing

Lisette Gallaher

Director of Culture & Business Affairs

Erika Kofler

Director of Operations

Mellanee Goodman

Program Director, Curator & Material Specialist

Anna Helgeson

Program Director, Learning & Engagement

Anita Mechler

Program Director, Archives & Special Collections

Leia Lewis

Craft Education Fellow

Lola Clairmont

Grants Manager

Kathryn McMonagle

Development Manager

Lexie Harvey

Marketing & Events Manager

Maya Rosenbaum

Development & Marketing Coordinator

Michelle Lisa Polissaint

Alumni Engagement Coordinator

Cielo Maranchello

Operations & Community Manager

Lenny Kyriakoulis

Gallery Manager

Harley Burns

Visitor Services Associate

Gwyn Lyles

Visitor Services Associate

Elin Oom

Visitor Services Associate

Stephanie Moore
Executive Director

Marilyn Zapf
Assistant Director

Katie Cornell
Development Manager

Erika Kofler
Operations Manager

Lauren Gray Roquemore
Gallery Coordinator

Mellanee Goodman
Gallery Associate

Field Building