The Curatorial Fellowship is a 10-month long program created to give an emerging craft curator a platform to explore and test new ideas about craft.
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The Curatorial Fellow will fully develop and mount their proposed exhibition in the Center for Craft’s Bresler Family Gallery, located in Asheville, North Carolina. The Fellow will work closely with the Center for Craft program staff and mentors to produce an exhibition and develop didactic materials and programming as part of a Center for Craft program. This initiative supports curatorial research and helps to develop professional networks, promoting experimentation, collaboration, and engagement across the field.
Grant goals
To recognize and affirm emerging curatorial talent
To provide professional development and networking opportunities for emerging craft curators
To cultivate emerging ideas within craft
The Curatorial Fellowship is a yearlong program created to give an emerging craft curator a platform to explore and test new ideas about craft.
For the 2026 Curatorial Fellowship, proposals that explore themes of Craft and Community Vitality are welcome:
In the wake of Hurricane Helene and the fires in California we witnessed firsthand how interconnected craft is with the well-being of our communities and the importance of craft as we rebuild toward a resilient future. We are seeking curatorial proposals that explore craft's role in community vitality.
Proposals that address the 2026 theme of craft and community vitality are welcome from individuals, two-person teams, and collectives for exhibitions to be considered in the Center for Craft’s 2026 exhibition season. No prior curatorial experience is necessary. An experienced curator on staff will be available to provide guidance and support during the program. Additional consideration will be given to applicants beginning their career as a curator. The Center for Craft welcomes proposals that contribute to our ongoing commitment to diversity representing a range of geographies, expertise, craft materials, race, ethnicity, and sexual orientation.
Applicants must be:
Applicants cannot be:
Please note, proposals should not be submitted for a solo show or an exhibition that includes the applicant’s own artwork.
The Center for Craft prohibits discrimination, harassment, and retaliation based on sex, sexual orientation, race, color, religion, national origin, disability or perceived disability, age, marital status, gender identity, veteran status, or any other protected category. The Center encourages applications from historically underrepresented populations. Applying does not constitute a promise or guarantee of being awarded a grant.
What is craft?
Craft is a particular approach to making with a strong connection to materials, skill, and process. Artists, makers, scholars, and curators continue to grow the field, embracing new definitions, technologies, and ideas while honoring craft's history and relationship to the handmade.
Craft, in all its forms, demonstrates creativity, ingenuity, and practical intelligence. It contributes to the economic and social well-being of communities, connects us to our cultural histories, and is integral to building a sustainable future.
Craft is commonly recognized as being made of clay, glass, fiber, metal, and wood. We also recognize that craft can include materials, such as concrete, plastic, gourds, shells, bones, leather, natural, and recycled materials, among others.
Requirements of the 2026 Curatorial Fellowship Award
Curatorial proposals should address the 2026 theme of craft and community vitality and include the work of three to ten US-based artists working in craft. Applications will be evaluated on full completion of the application and according to the criteria listed below:
Applications are first reviewed by the Center for Craft Director of Programs and Curator and Program Manager - Research and Ideas according to the stated grant goals and criteria and in line with the Center’s mission. From this, a top tier of applications will be identified. Each top application is then read by at least two outside experts, and references are checked. The Curatorial Fellow will be chosen by the Director of Programs and Curator and approved by the Executive Director.
Considerations in final selection:
The Center for Craft respects, values, and celebrates the unique attributes, characteristics, and perspectives that make each person who they are. We foster open communication of diverse perspectives and bring a broad range of individuals together to enrich and support programming. Ultimately we will compose a set of recipients that prioritizes diversity and represents a range of ideas, subject matter, and curatorial approaches.
Please note that the Center for Craft Bresler Family Gallery is located on the ground floor in the heart of downtown Asheville, North Carolina’s cultural district. Please review photographs of previous exhibitions as well as the gallery floor plan before submitting your proposal. Please note the gallery layout may be subject to change.
APPLICATION DEADLINE
Applications must be submitted via SlideRoom no later than April 18, 2025, at 11:59 pm ET.
NOTIFICATION
Notifications will be sent via email by early May 2025. The email address listed on the application form will be used to send out notifications. Please be sure that it is a valid account that you check regularly.
How to Apply
Applicants must apply using the online application program SlideRoom at https://centerforcraft.slideroom.com/#/Login. All applicants should create a login to be able to partially complete the form and return to finish it at a later date. Before submitting your application, you will be directed to a confirmation page where you can review your form and return it to edit or delete your uploaded files as needed. Your application can not be accessed once submitted. Applicants will receive a confirmation email once the application form has been successfully received. A virtual application information session will be held on March 13, 2025, from 5:00 to 6:00 pm ET.
Collaborators
Applicants who wish to apply as collaborators need only submit one application form. One member of the collaborative team must be selected as the main applicant; their contact information will be used for all preliminary correspondence and notification.
2026 Curatorial Fellowship Award - SAMPLE APPLICATION
This is only a sample application. All applications must be completed in SlideRoom.
Proposals to be submitted via SlideRoom as follows:
Demographic Survey
The Center for Craft recognizes that demographic data is a limited way of understanding who is applying to our grant programs. However, it's also an important piece of the puzzle when it comes to developing equitable and accessible programs, and many of our funders require that we collect this information.
Please note that demographic data will remain anonymous, will in no way affect your application, and will only be used for grant writing and reporting purposes. While completion of this form is required, you may answer any of the questions with the "Prefer not to answer" option. If you are applying as a collaborative or organization, please select the option “Not applicable.” Thank you.
Cover Sheet
Application
Short answer: Applicants should address each of the following questions in 300 words or less:
PLEASE NOTE: Applications containing images and documents that are not labeled or uploaded according to the guidelines above will NOT be reviewed. Images will not be accepted by email. Submitting an application does not constitute a promise or guarantee of acceptance.
What is the final deadline for submitting my online application form?
All applications must be submitted via SlideRoom no later than later than Friday, April 18, 2025, at 11:59 pm ET.
May I mail a hard copy of my application materials to the Center for Craft’s office?
No, hard copy submissions will not be accepted. The application must be completed and submitted through SlideRoom.
I have video samples as well as jpegs of the work examples proposed for my exhibition. Can I submit samples of both?
You may upload up to 15 images or video links from your personal site or video hosting sites (such as vimeo, flickr or youtube) of your recent work. You can upload any combination totaling 20. Remember, during the review process only the first 2 minutes of each video sample so please edit your materials accordingly.
Can I work on my application and return to complete it at a later date?
Yes, creating a SlideRoom account will enable you to complete the form in several online sessions.
I just submitted my application but I want to return to it and make an edit. Is this possible?
No, once your application is submitted, you will not be able to return to the form or change any submitted information. The application fee must also be paid at the time of submitting your application as you will not be able to log-in again to access the payment page again.
Will I receive confirmation that my application has been received?
Yes, applicants will receive a confirmation email once the application form and application fee have been received.
Can I apply as part of a collaborative team?
Yes, curatorial teams of two people or more may apply together for their shared project. Applicants who wish to apply as collaborators need only submit one application form and application fee. One member of the collaborative team must be selected as the main applicant; their contact information will be used for all preliminary correspondence and notification. Please note that the Center for Craft will only cover the U.S. travel expense of up to two collaborators per project.
Do the images I submit in the application need to be the exact pieces in the exhibition? Once I’m selected may I add/subtract pieces I used in my submission?
The submitted proposal should include as many of the artists exhibiting work in the exhibition as possible. The strongest proposals are the most specific and will include the artwork intended for the exhibition. Once selected, the curator may add or subtract pieces after discussion with the Center for Craft staff. The selected proposal is chosen based on the exhibition as a whole so it is important for the proposal to be fully formed.
What does the exhibition budget cover?
The $8,000 exhibition budget should be used to cover direct costs related to the exhibition including curatorial research, artwork shipping, custom or one-off exhibition design and build needs, art commissions/artist fees/loan fees, and any additional interpretive materials such as show graphics, labels, not covered by Center for Craft.
What does the Center for Craft provide for the exhibition?
The Center for Craft will provide the exhibition space, a set of plinths and display options, select AV equipment, insurance, staffing during gallery opening hours, and administrative support. The Center for Craft will provide a registrar to arrange shipping and object reports, art handlers for installation, and graphic design and printing for labels and exhibition graphics within reason. Additionally, the Center for Craft will provide marketing, postcard invitations, and email invites, organize an opening reception and related programming. An experienced curator on staff will be available to provide guidance and support during the program. Select mentors or experts will be contracted to support the Curatorial Fellowship during their grant period. An honorarium of $5,000 will be awarded to the selected applicant. There will be no other financial support.
What is the responsibility of the selected curator?
Curatorial Fellows are responsible for creating a comprehensive exhibition checklist, shipping and/or special handling and installation instructions, writing exhibition labels and didactics, and participating in an educational program.
Curatorial Fellows must be able to travel to the Center for Craft during the duration of the Fellowship; to include exhibition installation and attending the exhibition opening in Februrary 2026 and to participate in a virtual or in-person educational program in 2026.
Curatorial Fellows must be available for a monthly teleconference or videoconference meeting during regular business hours with the Center for Craft staff for the duration of the program (until the exhibition is mounted).
How much time is allocated for the installation of the exhibition?
Each exhibition should be installed within 3-4 days. The installation will be completed by a team of art handlers selected by the Center for Craft. The curator will have the opportunity to travel to the Center for Craft to assist in the installation process.
Does the Center for Craft have equipment to borrow for the exhibition such as projectors, monitors, media players, pedestals etc. or should we include those items in my budget?
The Center for Craft does have a limited supply of basic media and installation equipment that can be utilized by the selected curator. Please contact the Center for Craft directly regarding specific inquiries for equipment prior to completing your budget. A full list of available basic media and installation equipment will be provided to the selected Curatorial Fellows.
Can I submit an exhibition with an open call or a residency component?
No. Open calls must be completed prior to submitting a proposal and residencies cannot be a component of the exhibition.
Can my show be virtual or off-site?
No. All exhibitions must take place in the Bresler Family Gallery at the Center for Craft. Though parts of the exhibition may be in public or other spaces, something must be on view within the walls of the gallery for the scheduled duration of approximately 6 months, during hours assigned by the Center for Craft.
Can my proposed show include sales of work?
No. The Center for Craft gallery is an educational gallery and works are not offered for sale. However, the Fellow may be asked to share recommendations for items that could be included in the Center’s adjoining retail space.
Can I submit a proposal for a solo show or an exhibition of my own work?
No. All proposals must include at least three (3) artists. In addition, proposals will not be accepted for exhibitions where multiple people work on one person's idea (artists projects).
Can I submit more than one proposal? Can I submit an exhibition that has been presented elsewhere before?
No.
I have a question that wasn’t answered. How can I reach the Center for Craft?
If you have any further questions, please contact grants@centerforcraft.org
recipients
Crafting Denim
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Sonya Abrego
Brooklyn, NY
Dr. Sonya Abrego is a New York City-based design historian specializing in American fashion. She takes an interdisciplinary approach to examining the interconnections between dress, popular culture, art, craft, and design. Sonya has published in scholarly and popular venues, has presented at conferences across North America, and presently teaches at Parsons School of Design and the Fashion Institute of Technology. Her first book, Westernwear: Postwar American Fashion and Culture, is published with Bloomsbury Academic.
Learn moreSomething earned, Something left behind
$5,000
Kehayr Brown-Ransaw
Minneapolis, MN
Kehayr Brown-Ransaw is an interdisciplinary artist, educator, and curator based in Bde Óta Othúŋwe/Mnísota (Minneapolis/Minnesota). Brown-Ransaw’s practice engages in conversations of individualism v. collectivism, familial histories, concepts of gendered work, tradition, and Blackness/Black identity through quilting, weaving and printmaking. His curatorial and teaching practices are concerned with access, representation, and the presentation of marginalized communities.
Learn moreNEO MINERALIA
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Oscar Salguero
Brooklyn, NY
Oscar Salguero is an independent curator, researcher, and archivist based in Brooklyn, NY. His work has been exhibited both nationally and internationally, including a presentation during Stockholm Design Week 2020, as part of non:agency’s The Age of Entanglements. As a curator, Salguero is a fellow of SixtyEight Art Institute’s The Curatorial Thing 2020 Edition, for which he received the Danish Arts Foundation’s International Visual Arts Funding Grant. In Spring 2021, Salguero curated Interspecies Futures [IF] at the Center for Book Arts, NY. The show marked the first survey of bookworks by emerging artists working at the intersection of speculative fiction and new interspecies possibilities. Salguero is the founder of Interspecies Library and is the author of the Symbiocene Anthology, a series of artists’ book reviews published online via Future Based.
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