In the wake of Hurrican Helene, the Center for Craft reactivated its Craft Futures Fund to support and care for the artists and community of Western North Carolina. In Phase 1, we raised and distributed $410,000 in unrestricted emergency relief grants of $500 each to 820 eligible artists.
Now, as part of longer-term recovery efforts, the Center has awarded Phase 2 grants totaling $600,000 to 40 craft artists in the region. Together, the 33 recipients of the WNC Craft Futures Cohort and seven recipients of the Virginia A. Groot Craft Futures Residency have received grants of $15,000 each, and are participating in a six-month cohort experience that supports rebuilding their artistic practice and extends mutual aid through a peer-to-peer network.
Thirty-three regional craft organizations also received support through the WNC Recovery Grant.
PHASE 2 Grant goals
Help regional craft artists stabilize and rebuild their practice
Invest in the critical community function of craft; support craft artists as they enrich the health, well-being, and resilience of the communities where they live and work
Develop and strengthen networks of regional craft artists through peer-to-peer learning and mutual aid
We are profoundly grateful for the overwhelming support of the nearly 300 contributors from around the country who graciously donated more than $435,000 to the Craft Futures Fund. A remarkable 81% of these donors are first-time donors to the Center for Craft.
And a heartfelt thank you to our eight foundation partners—the Windgate Foundation, the Community Foundation of Western North Carolina, the Maxwell | Hanrahan Foundation, Virginia A. Groot Foundation, WHH Foundation, CERF+, the Bresler Foundation, and the Thomas S. Kenan Institute for the Arts—for their substantial contributions, bringing the fund total to $1,545,650 and counting.
The need continues. If you would like to help direct critical resources to artists impacted by Hurricane Helene, please make a gift of any size today.
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Process photo of assembly of Y-axis conveyor belt.
Rose Buttress
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$10,000
Rose Buttress is a self-trained machinist and programmer. Buttress’s research titled “FULL,” uses a novel design of fabric cutters to prefigure small batch garment fabrication efficiency with the goal of generating a new philosophy of inclusive design. Her research attempts to renegotiate the constraints on the industry through a methodology of developing new equipment that places the leading industrial mass production techniques and processes within small workspaces.
Learn morePhoto credit: Sean Carroll
Alexis Rosa Caldero
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$10,000
Alexis Rosa Caldero is a first generation Ecuadorian-American and Puerto Rican disentangling from the inherited experience of forced assimilation. Informed by experience with wood, education, and art direction, Caldero’s craft strives to evoke beauty, unearth story, and build connection. Their research, titled “Beyond Ergonomics: Furnishing Healing,” asks what studio furniture can learn from anti-racist, fat positive, body-centered activism. It proposes a hands-on analysis of how everyday furniture can play a role in one’s healing journey through somatic study and community building.
Learn morePhoto credit: Mary Kang
Dana Davenport
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$10,000
Dana Davenport is an interdisciplinary artist, who shifts between installation, sculpture, video, and performance. Within her practice, Davenport addresses the complexities that surround interminority racism as a foundation for envisioning her own and the collective futurity of Black and Asian peoples. Davenport's research titled “Dana's Beauty Supply: Research,” examines Black hair and hair care as a material that binds Black Americans and Korean Americans through the beauty supply industry, an industry that is overwhelmingly Korean-owned with a primarily Black customer base.
Learn morePhoto credit: Benjamin Weinberg
Emily Robison
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$10,000
Emily Robison is a textile artist whose work incorporates place and cultural experience. Building upon their work with byssus fiber, a textile fiber produced by clams and traditionally used throughout the Mediterranean, Robison will research 18th and 19th century published descriptions of byssus production and the feasibility of adapting these techniques to North American pen clams.
Learn morePhotographed by David Hunter Hale
Nastassja Swift
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$10,000
Nastassja Swift is a sculptural fiber artist, whose work exists figuratively in full or often fragmented forms that speak to geographical histories, womanhood, language and community. Swift’s needle felted portraits incorporate quilting, beading and other traditional and non-traditional materials morph into a form of storytelling that references the above themes. Swift’s research title “Hooded Figures: A History of Fashion and Power,”examines hoods across centuries, closely identifying the social and racial associations of the garment and how its symbolism has shifted over time. Using felting, quilting and beading, this research project will produce re-imagined images of Black subjects adorned in a hood.
Learn morerecipients
The Center for Craft is pleased to announce the 40 regional craft artists awarded a WNC Craft Futures Cohort grant or a Virginia A. Groot Craft Futures Residency as part of its Phase 2 recovery effort for craft artists impacted by Hurricane Helene. Selected by a distinguished panel of experts, each artist has received $15,000 and joined a six-month cohort experience that supports rebuilding their artistic practice and extends mutual aid through a peer-to-peer network.
Their work is also featured in a group exhibition, WNC Craft Futures: From Here, on view at the Center for Craft’s Bresler Family Gallery from April 11–August 30, 2025.