$5,000 or $10,000 one-time, unrestricted grants to regional craft organizations impacted by Helene to stabilize and re-establish new operating norms by investing in the critical community function of craft.
The Center for Craft is also supporting individual craft artists' recovery through the WNC Craft Futures Cohort.
Photo Credit: David Huff Creative
Grant goals
Help regional, community, and education-based craft organizations stabilize and re-establish new operating norms
Invest in the critical community function of craft
Lead with trust and care to revitalize the place we call home
Craft Futures Fund - WNC Recovery is designed to assist regional craft artists and organizations in stabilizing and re-establishing new operating norms by investing in the critical community function of craft.
Applicants must be:
Applicants cannot be:
For this opportunity, the Center for Craft understands craft to include 3D work produced primarily in ceramics, fiber, glass, jewelry, metals, and wood.
The Center for Craft prohibits discrimination, harassment, and retaliation based on sex, sexual orientation, race, color, religion, national origin, disability or perceived disability, age, marital status, gender identity, veteran status, or any other protected category. The Center encourages applications from historically underrepresented populations. Applying does not constitute a promise or guarantee of being awarded this gift.
This is a one-time unrestricted charitable gift. There are no reporting requirements.
Recipients of the Craft Futures Fund - WNC Recovery funds will be published on the Center for Craft’s website and announced through social media. We plan to share statistics representing the impact of Helene on the craft sector, how these funds were distributed, and share unattributed quotes pulled from applications. We may approach individual organizations for the rights to publicly share attributed images and quotes on a case-by-case basis.
All applicants will be automatically enrolled to receive the Center for Craft’s newsletter. You can unsubscribe at any time.
Alumni Network
Recipients of this opportunity are not eligible for membership in the Center’s forthcoming Alumni Network.
The adjudication process will take place virtually and in person. Applications will be reviewed by the Center for Craft staff for completeness and eligibility, then evaluated by a selection panel through the SlideRoom online application review portal. The panel will consist of 3-4 people recognized as craft-informed experts and community members working across sectors, such as educators, artists, arts administrators, curators, and business owners, to provide insight into the selection process.
Panelists free of any conflict of interest will evaluate the applications based on the following criteria:
Considerations in final selection:
Ultimately, we will ask the Selection Panel to compose a set of recipients representing a range of geographies, materials, organizational scales, services, and types of organizations. Priority will be given to nonprofit organizations and artist-led or -run organizations.
Applicants must apply using the online application program SlideRoom here.
Applicants will not be required to pay an application fee. Please review the sample application below before beginning your application.
All applicants should create a login to be able to partially complete the form and return to finish it at a later date. Before submitting your application, you will be directed to a confirmation page where you can review your form and return to edit or delete your uploaded files as needed. Your application can not be accessed once submitted. Applicants will receive a confirmation email once the application form has been successfully submitted. A virtual application information session will be held on December 13, 2024 at 2pm ET.
DEADLINE:
Applications must be submitted via SlideRoom no later than 11:59 pm ET on January 13, 2025. Notification of awards will be sent in February 2025.
NOTIFICATION:
Recipients will be notified of funding at the e-mail address listed on the application form. Please be sure that it is a valid account that you check regularly.
SAMPLE APPLICATION
Cover Sheet
Organizational Details
Application Questions
If I am awarded, will I have to pay taxes on my award?
This funding is being offered as a charitable gift and may not be taxable depending on your individual situation. We advise you consult with a tax advisor.
Craft is only one part of my organization’s services, are we still eligible to apply?
As long as your organization’s total annual operating budget is under $2M, you are eligible to apply.
How do I calculate what percentage of my organization is dedicated to craft?
This calculation is up to you. However, if your answer is under 100%, we encourage you to explain your rationale in the space provided. You might consider the percentage of your budget that supports craft programming, the number of staff dedicated to craft programming, the percentage of craft exhibited compared to other art forms, or the percentage of studio spaces occupied by craft artists, to name a few ideas.
What are the reporting requirements? Do I need to report on how I spend the money?
This is a one-time unrestricted charitable gift. There are no reporting requirements.
How can I use the funds?
This is an unrestricted charitable gift.
May I mail a hard copy of my application materials to the Center for Craft’s office?
Hard-copy submissions will not be accepted. The application must be completed and submitted through SlideRoom.
Can I work on my application and return to complete it at a later date?
Yes, creating a login account will enable you to complete the form in several online sessions.
I just submitted my application, but I want to return to it and make an edit. Is this possible?
No, once your application is submitted you cannot return to the form or change any submitted information.
I have a question that wasn’t answered. How can I reach the Center for Craft?
If you have any further questions, please contact grants@centerforcraft.org, or call 828-785-1357.
We are profoundly grateful for the overwhelming support from 229 contributors, who have graciously donated in excess of $359,000 to the fund, with a remarkable 84% being first-time donors to the Center for Craft.
And a heartfelt thank you to our six foundation partners for their substantial contributions totaling $825,000 to the fund, including the Windgate Foundation, The Community Foundation of Western North Carolina, The Maxwell/Hanrahan Foundation, Craft Emergency Relief Fund, The Bresler Foundation, and Thomas S. Kenan Institute for the Arts.
If you would like to help direct critical resources to the affected artists, please consider making a gift to the Craft Futures Fund.
Donate Now →
Process photo of assembly of Y-axis conveyor belt.
Rose Buttress
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$10,000
Rose Buttress is a self-trained machinist and programmer. Buttress’s research titled “FULL,” uses a novel design of fabric cutters to prefigure small batch garment fabrication efficiency with the goal of generating a new philosophy of inclusive design. Her research attempts to renegotiate the constraints on the industry through a methodology of developing new equipment that places the leading industrial mass production techniques and processes within small workspaces.
Learn morePhoto credit: Sean Carroll
Alexis Rosa Caldero
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$10,000
Alexis Rosa Caldero is a first generation Ecuadorian-American and Puerto Rican disentangling from the inherited experience of forced assimilation. Informed by experience with wood, education, and art direction, Caldero’s craft strives to evoke beauty, unearth story, and build connection. Their research, titled “Beyond Ergonomics: Furnishing Healing,” asks what studio furniture can learn from anti-racist, fat positive, body-centered activism. It proposes a hands-on analysis of how everyday furniture can play a role in one’s healing journey through somatic study and community building.
Learn morePhoto credit: Mary Kang
Dana Davenport
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$10,000
Dana Davenport is an interdisciplinary artist, who shifts between installation, sculpture, video, and performance. Within her practice, Davenport addresses the complexities that surround interminority racism as a foundation for envisioning her own and the collective futurity of Black and Asian peoples. Davenport's research titled “Dana's Beauty Supply: Research,” examines Black hair and hair care as a material that binds Black Americans and Korean Americans through the beauty supply industry, an industry that is overwhelmingly Korean-owned with a primarily Black customer base.
Learn morePhoto credit: Benjamin Weinberg
Emily Robison
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$10,000
Emily Robison is a textile artist whose work incorporates place and cultural experience. Building upon their work with byssus fiber, a textile fiber produced by clams and traditionally used throughout the Mediterranean, Robison will research 18th and 19th century published descriptions of byssus production and the feasibility of adapting these techniques to North American pen clams.
Learn morePhotographed by David Hunter Hale
Nastassja Swift
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$10,000
Nastassja Swift is a sculptural fiber artist, whose work exists figuratively in full or often fragmented forms that speak to geographical histories, womanhood, language and community. Swift’s needle felted portraits incorporate quilting, beading and other traditional and non-traditional materials morph into a form of storytelling that references the above themes. Swift’s research title “Hooded Figures: A History of Fashion and Power,”examines hoods across centuries, closely identifying the social and racial associations of the garment and how its symbolism has shifted over time. Using felting, quilting and beading, this research project will produce re-imagined images of Black subjects adorned in a hood.
Learn more