Center for Craft 25th anniversary logo in red

Current Exhibition

UPcoming Exhibition

past Exhibition

On View 

NEO MINERALIA

The Center for Craft is excited to present a solo exhibition of patchwork textiles and inflatable sculptures by the Ohio-based fiber artist. Adrian’s volumetric, pneumatic work transports viewers into artifice, desire, and worldbuilding. Drawing from rich legacies of queer fiber art & theory, the exhibition features monumentally scaled works that physically respond to viewers presence by filling with air.

You can still sponsor RIPSTOP by contributing before July 12, 2024. Donate today for your opportunity to be recognized during the opening reception on August 15, 2024, and on the exhibition's Title Wall. To underwrite this exhibition, please donate now.

NEO MINERALIA

SPONSOR

On view

Feb

17

Oct

28

Through

Feb

17

Oct

28

When

Feb 17, 2023

Oct 28, 2023

Photo credit:

Sae Honda. Courtesy of the Artist.

Current Exhibition

UPcoming Exhibition

past Exhibition

On View 

NEO MINERALIA

On view

Feb

17

Oct

28

Through

Feb

17

Oct

28

When

Feb 17, 2023

Oct 28, 2023

Photo credit:

Sae Honda. Courtesy of the Artist.

Current Exhibition

UPcoming Exhibition

past Exhibition

On View 

NEO MINERALIA

On view

Feb

17

Oct

28

Through

Feb

17

Oct

28

When

Feb 17, 2023

Oct 28, 2023

Photo credit:

Sae Honda. Courtesy of the Artist.

FRONT & CENTER

Front & center

NEO MINERALIA suggests that recent rock formations no longer fit within the traditional groups: Igneous, Metamorphic, and Sedimentary. Instead, the Anthropocene, the era of human influence on the climate and environment, has introduced two post-natural rocks: Synthetic and Digital.

NEO MINERALIA presents a selection of new geological specimens crafted by ten international artists exploring rocks as reflections of our effects on human and nonhuman ecologies. By embedding synthetic materials (plastics, e-waste) and layers of data points (critical, financial, social) into the craftsmanship of these artifacts, the artists transgress the definition of rocks, turning them from passive aggregates of minerals into metaphorical aggregates of data. Within their apparent “rockness” we can decode hopes, warnings, and speculative future scenarios. 

The featured works stemming from places as varied as Mexico, Japan, Poland, and Australia (including a curated artists’ books library), collectively signal a new era of planetary and geological consciousness where we are asked to read, feel, and listen to rocks in new ways.

This exhibition was developed as part of the 2023 Center for Craft Curatorial Fellowship. This program was created in 2017 to provide emerging curators with a platform to explore and test new ideas about craft. Each curator receives an honorarium, access to professional development tools, mentoring, and the opportunity to work closely with the other Curatorial Fellows and Center for Craft staff to produce their exhibition, develop educational materials, design an exhibition catalog, and deliver a curatorial talk.

Read more from Curator, Oscar Salguero

Interview, Node Journal

Interview, We Make Money Not Art

Talk, Kinship Photography Collective

SUPPORT

No items found.
No items found.
No items found.

OPENING RECEPTION

Fri

,

Feb

17

,

6:00 pm

7:30 pm

Where

Bresler Family Gallery

67 Broadway St., Asheville, NC, 28801

ARTISTS

Marcela Armas

Annarita Bianco

Zach Blas

Thibault Brunet

Edhv Studio

Pascal Glissmann

Sae Honda

Hoonida Kim

Agnieszka Kurant

Lost Rocks Library

Silvia Noronha

CURATed By

Oscar Salguero

ORGANIZED BY

Center for Craft

Exhibition management BY

Sarah Darro, Lisette Gallaher, and Marilyn Zapf 

Installation by

Ian Brownlee, Carrie Helmkamp, Lauren Roquemore, Konrad Sanders, Bénédicte Thoraval, and Devyn Vasquez

Exhibition design

Edited by

Liz Carleton

Mentorship by

Glenn Adamson

Graphic Design by

Photography by

exhibition events

The events for this exhibition have passed. See our full calendar for upcoming events.

Meet the artists

ᏚᏍᏓᏯᎫᎾᏱ Gabriel Crow

Cherokee, NC

Faye Junaluska

Cherokee, NC

Lucille Lossiah

Ramon Lose

Cullowhee, NC

ᏯᏗ ᎺᏂ Betty Maney

Cherokee, NC

ᏗᎳᏂ Dylan Morgan

Cherokee, NC

ᎺᎵ ᏔᎻᏏᏂ Mary W. Thompson

ᏎᎳᏂ ᏔᎻᏏᏂ Sarah Thompson

Patricia Welch

Field Building

CRAFT RESEARCH TALK

View the catalog

View the catalog

View the catalog

About RIPSTOP

The Center for Craft is excited to present a solo exhibition of patchwork textiles and inflatable sculptures by the Ohio-based fiber artist. Adrian’s volumetric, pneumatic work transports viewers into artifice, desire, and worldbuilding. Drawing from rich legacies of queer fiber art & theory, the exhibition features monumentally scaled works that physically respond to viewers presence by filling with air.

You can still sponsor RIPSTOP by contributing before July 12, 2024. Donate today for your opportunity to be recognized during the opening reception on July 26, 2024, and on the exhibition's Title Wall. To underwrite this exhibition, please donate now.

about the artists

Photo credit: Jamie Hopper

Photo credit: Jamie Hopper

Photo credit: Jamie Hopper

Photo credit: Jamie Hopper

Photo credit: Jamie Hopper

Photo credit: Jamie Hopper

Photo credit: Jamie Hopper

Photo credit: Jamie Hopper

Photo credit: Jamie Hopper

Photo credit: Jamie Hopper

about the curator

Photo Credit: Janna Tew

Oscar Salguero

he/him

Oscar Salguero is an independent curator, researcher, and archivist based in Brooklyn, NY. His work has been exhibited both nationally and internationally, including a presentation during Stockholm Design Week 2020, as part of non:agency’s The Age of Entanglements. As a curator, Salguero is a fellow of SixtyEight Art Institute’s The Curatorial Thing 2020 Edition, for which he received the Danish Arts Foundation’s International Visual Arts Funding Grant. In Spring 2021, Salguero curated Interspecies Futures [IF] at the Center for Book Arts, NY. The show marked the first survey of bookworks by emerging artists working at the intersection of speculative fiction and new interspecies possibilities. Salguero is the founder of Interspecies Library and is the author of the Symbiocene Anthology, a series of artists’ book reviews published online via Future Based.

exhibition Images

Curatorial

The 2023 Curatorial Fellowship is supported, in part, by the Stoney Lamar Craft Endowment Fund.

Thank you to Phillips, the leading auction house in art and design, for sponsoring the Curatorial Fellowship show.

Thank

you to the

Virginia A. Groot Foundation

and

Maxwell/Hanrahan Foundation

for

makng these residencies possible.

The 2023 Curatorial Fellowship is supported, in part, by the Stoney Lamar Craft Endowment Fund.

Thank you to Phillips, the leading auction house in art and design, for sponsoring the Curatorial Fellowship show.

RIPSTOP is supported, in part, by Arrowmont School of Arts and Craft.

The

Center

for

Craft

is

supported

in

part

by

the

,

a

division

of

the

Department

of

Natural

and

Cultural

Resources.

2023

Curatorial

Fellow

This exhibition was supported, in part, by the John W. and Anna H. Hanes Foundation,

and Buncombe County Government.

The 2023 Curatorial Fellowship is supported, in part, by the Stoney Lamar Craft Endowment Fund.

Thank you to Phillips, the leading auction house in art and design, for sponsoring the Curatorial Fellowship show.

The

Center

for

Craft

is

supported

in

part

by

the

,

a

division

of

the

Department

of

Natural

and

Cultural

Resources.

2023

Curatorial

Fellow

A special thanks to

and the

for sponsoring Handwork and Hope.

The 2023 Curatorial Fellowship is supported, in part, by the Stoney Lamar Craft Endowment Fund.

Thank you to Phillips, the leading auction house in art and design, for sponsoring the Curatorial Fellowship show.

The

Center

for

Craft

is

supported

in

part

by

the

,

a

division

of

the

Department

of

Natural

and

Cultural

Resources.

The 2023 Curatorial Fellowship is supported, in part, by the Stoney Lamar Craft Endowment Fund.

Thank you to Phillips, the leading auction house in art and design, for sponsoring the Curatorial Fellowship show.

Preservers, Innovators, and Rescuers of Culture in Chiapas is supported, in part by,

The Center for Craft is supported, in part, by the

Aram Han Sifuentes is a recipient of the Center for Craft’s 2022 Craft Research Fund Artist Fellowship. This substantial mid-career grant is awarded to two artists to support research projects that advance, expand, and support the creation of new research and knowledge through craft practice.

This

exhibition

is

supported

in

part

by

the

the

and

For a full listing of the generous funders supporting the Center for Craft and our programming visit centerforcraft.org/support

This

exhibition

is

supported

in

part

by

the

the

and

the

a

division

of

the

Department

of

Natural

and

Cultural

Resources.

For a full listing of the generous funders supporting the Center for Craft and our programming visit centerforcraft.org/support

The

Center

for

Craft’s

John

Cram

Partner

Gallery

presented

in

collaboration

with

UNC Asheville transforms lives through leadership and education. The designated liberal arts and sciences institution for the UNC System and one of the nation’s top 10 public liberal arts universities, UNC Asheville enrolls 3,600 students and offers more than 30 undergraduate majors and a Master of Liberal Arts and Sciences degree. UNC Asheville also encourages students to take part in a nationally acclaimed undergraduate research program and participate in interdisciplinary learning. From internships and hands-on projects, to study abroad and community engagement, students experience an education that extends beyond campus into the vibrant City of Asheville, the surrounding Blue Ridge Mountains and the world.

and

Warren Wilson College logo

A liberal arts college grounded in social responsibility, where hard work and community are more than just words.

.

This

exhibition

is

supported

in

part

by

the

the

and

For a full listing of the generous funders supporting the Center for Craft and our programming visit centerforcraft.org/support

More On View

Max Adrian, “A Fallible Complex,” 2021. Nylon, ripstop, blower, motion sensor. 92 x 136 x 76 inches.

Exhibition

Max Adrian: RIPSTOP

Through

Jul

26

Mar

29

Learn More

Exhibition

Connections in the Making

Through

Nov

17

Oct

31

Learn More