Center for Craft 25th anniversary logo in red

Current Exhibition

UPcoming Exhibition

past Exhibition

On View 

Shapeshifters: Select Works by Joshua Adams and Jiha Moon

The Center for Craft is excited to present a solo exhibition of patchwork textiles and inflatable sculptures by the Ohio-based fiber artist. Adrian’s volumetric, pneumatic work transports viewers into artifice, desire, and worldbuilding. Drawing from rich legacies of queer fiber art & theory, the exhibition features monumentally scaled works that physically respond to viewers presence by filling with air.

You can still sponsor RIPSTOP by contributing before July 12, 2024. Donate today for your opportunity to be recognized during the opening reception on August 15, 2024, and on the exhibition's Title Wall. To underwrite this exhibition, please donate now.

Shapeshifters: Select Works by Joshua Adams and Jiha Moon

SPONSOR

On view

Jan

17

Mar

29

Through

Jan

17

Mar

29

When

Jan 17, 2020

Mar 29, 2020

Photo credit:

Current Exhibition

UPcoming Exhibition

past Exhibition

On View 

Shapeshifters: Select Works by Joshua Adams and Jiha Moon

On view

Jan

17

Mar

29

Through

Jan

17

Mar

29

When

Jan 17, 2020

Mar 29, 2020

Photo credit:

Current Exhibition

UPcoming Exhibition

past Exhibition

On View 

Shapeshifters: Select Works by Joshua Adams and Jiha Moon

On view

Jan

17

Mar

29

Through

Jan

17

Mar

29

When

Jan 17, 2020

Mar 29, 2020

Photo credit:

FRONT & CENTER

Front & center

Shapeshifters features over forty works by Joshua Adams (Cherokee, NC) and Jiha Moon (Atlanta, GA). Included in folklore the world over, shapeshifters are beings or spirits that can physically transform into the shape of another. Similarly, masks can be used to transform the wearer, allowing the performer to become someone or something other than themselves. As a decorative and aesthetic form rooted in specific cultural heritages, the mask becomes integral for Adams’ and Moon’s exploration of personal identity.


Adams, an enrolled member of the Eastern Band of the Cherokee Indians and trained woodcarver, often creates masks inspired by traditional Cherokee stories in order to educate viewers about tribal culture. Addressing his own personal experience, Adams observes the complexity of living in the multiple cultural contexts of maintaining Cherokee tradition in the contemporary South. 


Korean-born artist Moon assembles and paints her work with recognizable imagery, such as fortune cookies, dragons, and emojis juxtaposed with facets of southern culture, such as peaches, face jugs, and the southernism “bless your heart.” By playfully combining eastern and western symbols, Moon reflects on the intricacies of identity and nationhood in an increasingly global society. 


Adams’ and Moon’s works defy conventional categorization and shift misconceptions of their respective identities by skillfully combining surfaces and symbols. The mask is just one format that these artists use, yet it provides a valuable lens into understanding their broader art practice.


SUPPORT

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OPENING RECEPTION

,

,

Where

John Cram Partner Gallery

67 Broadway, Asheville NC

ARTISTS

Joshua Adams

Jiha Moon

ARTISTS

EasterN Band Cherokee Exhibiting Artists

CURATed By

Marilyn Zapf

ORGANIZED BY

Center for Craft

Exhibition management BY

Lauren Roquemore

Installation by

Lauren Roquemore, Carrie Helmkamp, Kyle Lawson

Exhibition design

Edited by

Lola Clairmont

Graphic Design by

Futures Bright

Photography by

exhibition events

The events for this exhibition have passed. See our full calendar for upcoming events.

Meet the artists

ᏚᏍᏓᏯᎫᎾᏱ Gabriel Crow

Cherokee, NC

Faye Junaluska

Cherokee, NC

Lucille Lossiah

Ramon Lose

Cullowhee, NC

ᏯᏗ ᎺᏂ Betty Maney

Cherokee, NC

ᏗᎳᏂ Dylan Morgan

Cherokee, NC

ᎺᎵ ᏔᎻᏏᏂ Mary W. Thompson

ᏎᎳᏂ ᏔᎻᏏᏂ Sarah Thompson

Patricia Welch

Field Building

CRAFT RESEARCH TALK

View the catalog

View the catalog

View the catalog

About RIPSTOP

The Center for Craft is excited to present a solo exhibition of patchwork textiles and inflatable sculptures by the Ohio-based fiber artist. Adrian’s volumetric, pneumatic work transports viewers into artifice, desire, and worldbuilding. Drawing from rich legacies of queer fiber art & theory, the exhibition features monumentally scaled works that physically respond to viewers presence by filling with air.

You can still sponsor RIPSTOP by contributing before July 12, 2024. Donate today for your opportunity to be recognized during the opening reception on July 26, 2024, and on the exhibition's Title Wall. To underwrite this exhibition, please donate now.

about the artists

Photo credit: Jamie Hopper

Joshua Adams

Joshua Adams (born 1982) works predominantly in the medium of wood sculpture, but includes stone carvings, paintings, photography, molding, 3D printing, pottery and videography.

Continue reading...

Joshua Adams (born 1982) works predominantly in the medium of wood sculpture, but includes stone carvings, paintings, photography, molding, 3D printing, pottery and videography. Adams is part of a long lineage of Cherokee woodcarvers, starting with his family James “Red” and Irma Bradley. Adams also studied under renowned Cherokee artist Dr. James Bud Smith and was directly influenced by legendary Cherokee artists Amanda Crowe and John Julius Wilnoty. Adams had held the position of woodcarving instructor at Cherokee High School for nearly ten years. He is a member of the Eastern Band of Cherokee and the Qualla Arts and Crafts Cooperative, and an alumni of Western Carolina University. His work has been exhibited throughout the world.

Most recently Adams’ mask, “False Faced God,” was included in the permanent collection at the Asheville Art Museum. In 2018 Adams participated and curated “Renewal of the Ancient,” a showcase of over 30 Cherokee millennial artist at the Museum of the Cherokee Indian in collaboration with the Cherokee Preservation Foundation. In 2018 Adams’ mounted a solo exhibit at Western Carolina University titled, “Facing Culture.” Adams’ work was selected for inclusion in the fifth annual Cherokee Days Festival at the Nation Museum of the American Indian.  In 2016 Adams received a 1st place ribbon in the Sculpture division at the SWAIA Santa Fe Indian Market. Adams  also received two awards at the 2016 Cherokee Art Market, including the Culture Keeper Award and Best of Class in the Sculpture Division. Previously, he placed 1st at the 2015 SWAIA Indian Market in Diverse Arts and was also awarded two first place ribbons at the 2015 Cherokee Indian Fair for his entries in painting and traditional masks. His work was also chosen for the Art in Embassies project and is currently on display at the Tanzanian Embassy.


Photo credit: Jamie Hopper

Jiha Moon

Jiha Moon (born 1973) is from DaeGu, Korea and lives and works in Atlanta, GA. She received her MFA from the University of Iowa, Iowa City.

Continue reading...

Jiha Moon (born 1973) is from DaeGu, Korea and lives and works in Atlanta, GA. She received her MFA from the University of Iowa, Iowa City. Her works have been acquired by Asia Society, New York, NY, High Museum of Art, Atlanta, GA, The Mint Museum of Art, Charlotte, NC, Smithsonian Institute, Hirshhorn Museum and Sculpture Garden, Washington, DC, Weatherspoon Museum of Art, Greensboro, NC and The Virginia Museum of Fine Arts, Richmond, VA. She has had solo exhibitions at Museum of Contemporary Art of Georgia, GA, Taubman Museum, Roanoke, VA, the Mint Museum of Art, Charlotte, NC, The Cheekwood Museum of Art, Nashville, TN and Rhodes College, Clough-Hanson Gallery, Memphis, TN and James Gallery of CUNY Graduate Center, New York, NY. She has been included in group shows at Kemper Museum, Kansas City, MO, the Fabric Workshop and Museum, Philadelphia, PA, the Atlanta Contemporary Art Center, Atlanta, GA, Asia Society, New York, NY, The Drawing Center, New York, NY, White Columns, New York, NY, Smith College Museum of Art, Northampton, MA, and the Weatherspoon Museum of Art, Greensboro, NC. She is recipient of prestigious Joan Mitchell foundation’s painter and sculptor’s award for 2011. Her mid-career survey exhibition, "Double Welcome: Most Everyone’s Mad" Here organized by Halsey Institute of Contemporary Art and Taubman Museum has toured more than 10 museum venues around the country until 2018.

about the curator

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exhibition Images

exhibition Images

Curatorial

The 2023 Curatorial Fellowship is supported, in part, by the Stoney Lamar Craft Endowment Fund.

Thank you to Phillips, the leading auction house in art and design, for sponsoring the Curatorial Fellowship show.

Thank

you to the

Virginia A. Groot Foundation

and

Maxwell/Hanrahan Foundation

for

makng these residencies possible.

The 2023 Curatorial Fellowship is supported, in part, by the Stoney Lamar Craft Endowment Fund.

Thank you to Phillips, the leading auction house in art and design, for sponsoring the Curatorial Fellowship show.

RIPSTOP is supported, in part, by Arrowmont School of Arts and Craft.

The

Center

for

Craft

is

supported

in

part

by

the

,

a

division

of

the

Department

of

Natural

and

Cultural

Resources.

2023

Curatorial

Fellow

This exhibition was supported, in part, by the John W. and Anna H. Hanes Foundation,

and Buncombe County Government.

The 2023 Curatorial Fellowship is supported, in part, by the Stoney Lamar Craft Endowment Fund.

Thank you to Phillips, the leading auction house in art and design, for sponsoring the Curatorial Fellowship show.

The

Center

for

Craft

is

supported

in

part

by

the

,

a

division

of

the

Department

of

Natural

and

Cultural

Resources.

2023

Curatorial

Fellow

A special thanks to

and the

for sponsoring Handwork and Hope.

The 2023 Curatorial Fellowship is supported, in part, by the Stoney Lamar Craft Endowment Fund.

Thank you to Phillips, the leading auction house in art and design, for sponsoring the Curatorial Fellowship show.

The

Center

for

Craft

is

supported

in

part

by

the

,

a

division

of

the

Department

of

Natural

and

Cultural

Resources.

The 2023 Curatorial Fellowship is supported, in part, by the Stoney Lamar Craft Endowment Fund.

Thank you to Phillips, the leading auction house in art and design, for sponsoring the Curatorial Fellowship show.

Preservers, Innovators, and Rescuers of Culture in Chiapas is supported, in part by,

The Center for Craft is supported, in part, by the

Aram Han Sifuentes is a recipient of the Center for Craft’s 2022 Craft Research Fund Artist Fellowship. This substantial mid-career grant is awarded to two artists to support research projects that advance, expand, and support the creation of new research and knowledge through craft practice.

This

exhibition

is

supported

in

part

by

the

the

and

For a full listing of the generous funders supporting the Center for Craft and our programming visit centerforcraft.org/support

This

exhibition

is

supported

in

part

by

the

the

and

the

a

division

of

the

Department

of

Natural

and

Cultural

Resources.

For a full listing of the generous funders supporting the Center for Craft and our programming visit centerforcraft.org/support

The

Center

for

Craft’s

John

Cram

Partner

Gallery

presented

in

collaboration

with

UNC Asheville transforms lives through leadership and education. The designated liberal arts and sciences institution for the UNC System and one of the nation’s top 10 public liberal arts universities, UNC Asheville enrolls 3,600 students and offers more than 30 undergraduate majors and a Master of Liberal Arts and Sciences degree. UNC Asheville also encourages students to take part in a nationally acclaimed undergraduate research program and participate in interdisciplinary learning. From internships and hands-on projects, to study abroad and community engagement, students experience an education that extends beyond campus into the vibrant City of Asheville, the surrounding Blue Ridge Mountains and the world.

and

Warren Wilson College logo

A liberal arts college grounded in social responsibility, where hard work and community are more than just words.

.

This

exhibition

is

supported

in

part

by

the

the

and

For a full listing of the generous funders supporting the Center for Craft and our programming visit centerforcraft.org/support

More On View

Max Adrian, “A Fallible Complex,” 2021. Nylon, ripstop, blower, motion sensor. 92 x 136 x 76 inches.

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26

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29

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17

Oct

31

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