Center for Craft 25th anniversary logo in red

Current Exhibition

UPcoming Exhibition

past Exhibition

On View 

Sleight of Hand

The Center for Craft is excited to present a solo exhibition of patchwork textiles and inflatable sculptures by the Ohio-based fiber artist. Adrian’s volumetric, pneumatic work transports viewers into artifice, desire, and worldbuilding. Drawing from rich legacies of queer fiber art & theory, the exhibition features monumentally scaled works that physically respond to viewers presence by filling with air.

You can still sponsor RIPSTOP by contributing before July 12, 2024. Donate today for your opportunity to be recognized during the opening reception on August 15, 2024, and on the exhibition's Title Wall. To underwrite this exhibition, please donate now.

Sleight of Hand

SPONSOR

On view

Oct

23

Jan

22

Through

Oct

23

Jan

22

When

Oct 23, 2020

Jan 22, 2021

Photo credit:

Salvador Jiménez-Flores, The Resistance Of The Hybrid Cacti (Detail), 2017. Photo courtesy of the artist.

Current Exhibition

UPcoming Exhibition

past Exhibition

On View 

Sleight of Hand

On view

Oct

23

Jan

22

Through

Oct

23

Jan

22

When

Oct 23, 2020

Jan 22, 2021

Photo credit:

Salvador Jiménez-Flores, The Resistance Of The Hybrid Cacti (Detail), 2017. Photo courtesy of the artist.

Current Exhibition

UPcoming Exhibition

past Exhibition

On View 

Sleight of Hand

On view

Oct

23

Jan

22

Through

Oct

23

Jan

22

When

Oct 23, 2020

Jan 22, 2021

Photo credit:

Salvador Jiménez-Flores, The Resistance Of The Hybrid Cacti (Detail), 2017. Photo courtesy of the artist.

FRONT & CENTER

Front & center

Sleight of hand

a: a cleverly executed trick or deception

b: a conjuring trick requiring manual dexterity


Sleight of Hand brings together eleven works by six contemporary artists in the United States (US) who create humorous, quirky, or anthropomorphized objects in clay, centered around complex issues of race, gender, and immigration status, among other pressing social and political realities of our day. For these artists, humor is not merely an aesthetic choice; it is also a tool of resistance, resilience, and healing. The deliberate use of humor in ceramics traces back to the 1950s and 1960s Bay Area Funk art. However, in recent years, a younger and far more diverse generation of artists has revitalized this artistic strategy. This exhibition highlights this critical shift in the field of ceramics through the lens of artists of color. While the exhibition focuses on clay, the objects on display point to an expanded field that moves beyond sculpture to include video and paintings featuring ceramics.

As the exhibition title suggests, the exhibiting artists use their hands to produce visual illusions out of clay that, while cheery on the surface, can carry serious undertones. Humor is inherently deceptive, often the result of an exaggerated truth or a cunning trick that lends levity and clarity to subjects that are taboo or otherwise difficult to discuss. Strategies of irreverence, irony, absurdity, and cuteness are employed in Sleight of Hand to subversively establish accessible platforms for dialogue and engagement with profound and complicated narratives.


Two Ways to View

Virtual Tour

Online visitors can register to attend a virtual tour of this exhibition. Tour is scheduled for Thursday, December 3rd, 6-7 pm EST. This is a free event. A $5-10 donation at time of registration is recommended.

REGISTER NOW→

In-Person

The Center is offering free, unguided visits and affordable tours of its exhibitions to the public. Guests can reserve a 30-minute visit to explore the current exhibitions, learn more about the Center’s national impact in their Craft Research Fund Study Collection, and enjoy interactive activities. The Center is open to the public Tuesday-Friday, 11 am -5 pm. Hours of operation may be subject to change.

Center for Craft is monitoring the effects of COVID-19 on the community and following the instruction of federal, state, and local health departments. Our top priority is always the health and safety of our staff, coworkers, and visitors. At this time, the Center can only allow a maximum of five guests in its public space at once and will require the use of masks or face coverings by all visitors, including children. The Center reserves the right to refuse entry to any visitor that will not comply.

REGISTER NOW→

Shop the Catalogue

Available in the Center for Craft shop, the Sleight of Hand catalogue includes a forward by Executive Director Stephanie Moore, an essay by curator Angelik Vizcarrondo-Laboy, and beautiful high-res images of the art. Follow the links below to shop now!

SHOP PRINT →
SHOP DIGITAL →

SUPPORT

No items found.
No items found.

OPENING RECEPTION

,

,

Where

Center for Craft, Bresler Family Gallery

67 Broadway St., Asheville NC 28801

ARTISTS

Diana Yesenia Alvarado

Natalia Arbelaez

Salvador Jiménez-Flores

Yvette Mayorga

Woody De Othello

Maryam Yousif

CURATed By

Angelik Vizcarrondo-Laboy

ORGANIZED BY

Center for Craft

Exhibition management BY

Lauren Roquemore

Installation by

Exhibition design

Edited by

Graphic Design by

Kristi Pfeffer

Photography by

exhibition events

The events for this exhibition have passed. See our full calendar for upcoming events.

Meet the artists

ᏚᏍᏓᏯᎫᎾᏱ Gabriel Crow

Cherokee, NC

Faye Junaluska

Cherokee, NC

Lucille Lossiah

Ramon Lose

Cullowhee, NC

ᏯᏗ ᎺᏂ Betty Maney

Cherokee, NC

ᏗᎳᏂ Dylan Morgan

Cherokee, NC

ᎺᎵ ᏔᎻᏏᏂ Mary W. Thompson

ᏎᎳᏂ ᏔᎻᏏᏂ Sarah Thompson

Patricia Welch

Field Building

CRAFT RESEARCH TALK

View the catalog

View the catalog

View the catalog

About RIPSTOP

The Center for Craft is excited to present a solo exhibition of patchwork textiles and inflatable sculptures by the Ohio-based fiber artist. Adrian’s volumetric, pneumatic work transports viewers into artifice, desire, and worldbuilding. Drawing from rich legacies of queer fiber art & theory, the exhibition features monumentally scaled works that physically respond to viewers presence by filling with air.

You can still sponsor RIPSTOP by contributing before July 12, 2024. Donate today for your opportunity to be recognized during the opening reception on July 26, 2024, and on the exhibition's Title Wall. To underwrite this exhibition, please donate now.

about the artists

Photo credit: Jamie Hopper

Photo credit: Jamie Hopper

Photo credit: Jamie Hopper

Photo credit: Jamie Hopper

Photo credit: Jamie Hopper

Photo credit: Jamie Hopper

about the curator

No items found.

exhibition Images

exhibition Images

Curatorial

The 2023 Curatorial Fellowship is supported, in part, by the Stoney Lamar Craft Endowment Fund.

Thank you to Phillips, the leading auction house in art and design, for sponsoring the Curatorial Fellowship show.

Thank

you to the

Virginia A. Groot Foundation

and

Maxwell/Hanrahan Foundation

for

makng these residencies possible.

The 2023 Curatorial Fellowship is supported, in part, by the Stoney Lamar Craft Endowment Fund.

Thank you to Phillips, the leading auction house in art and design, for sponsoring the Curatorial Fellowship show.

RIPSTOP is supported, in part, by Arrowmont School of Arts and Craft.

The

Center

for

Craft

is

supported

in

part

by

the

,

a

division

of

the

Department

of

Natural

and

Cultural

Resources.

2023

Curatorial

Fellow

This exhibition was supported, in part, by the John W. and Anna H. Hanes Foundation,

and Buncombe County Government.

The 2023 Curatorial Fellowship is supported, in part, by the Stoney Lamar Craft Endowment Fund.

Thank you to Phillips, the leading auction house in art and design, for sponsoring the Curatorial Fellowship show.

The

Center

for

Craft

is

supported

in

part

by

the

,

a

division

of

the

Department

of

Natural

and

Cultural

Resources.

2023

Curatorial

Fellow

A special thanks to

and the

for sponsoring Handwork and Hope.

The 2023 Curatorial Fellowship is supported, in part, by the Stoney Lamar Craft Endowment Fund.

Thank you to Phillips, the leading auction house in art and design, for sponsoring the Curatorial Fellowship show.

The

Center

for

Craft

is

supported

in

part

by

the

,

a

division

of

the

Department

of

Natural

and

Cultural

Resources.

The 2023 Curatorial Fellowship is supported, in part, by the Stoney Lamar Craft Endowment Fund.

Thank you to Phillips, the leading auction house in art and design, for sponsoring the Curatorial Fellowship show.

Preservers, Innovators, and Rescuers of Culture in Chiapas is supported, in part by,

The Center for Craft is supported, in part, by the

Aram Han Sifuentes is a recipient of the Center for Craft’s 2022 Craft Research Fund Artist Fellowship. This substantial mid-career grant is awarded to two artists to support research projects that advance, expand, and support the creation of new research and knowledge through craft practice.

This

exhibition

is

supported

in

part

by

the

the

and

For a full listing of the generous funders supporting the Center for Craft and our programming visit centerforcraft.org/support

This

exhibition

is

supported

in

part

by

the

the

and

the

a

division

of

the

Department

of

Natural

and

Cultural

Resources.

For a full listing of the generous funders supporting the Center for Craft and our programming visit centerforcraft.org/support

The

Center

for

Craft’s

John

Cram

Partner

Gallery

presented

in

collaboration

with

UNC Asheville transforms lives through leadership and education. The designated liberal arts and sciences institution for the UNC System and one of the nation’s top 10 public liberal arts universities, UNC Asheville enrolls 3,600 students and offers more than 30 undergraduate majors and a Master of Liberal Arts and Sciences degree. UNC Asheville also encourages students to take part in a nationally acclaimed undergraduate research program and participate in interdisciplinary learning. From internships and hands-on projects, to study abroad and community engagement, students experience an education that extends beyond campus into the vibrant City of Asheville, the surrounding Blue Ridge Mountains and the world.

and

Warren Wilson College logo

A liberal arts college grounded in social responsibility, where hard work and community are more than just words.

.

This

exhibition

is

supported

in

part

by

the

the

and

For a full listing of the generous funders supporting the Center for Craft and our programming visit centerforcraft.org/support

More On View

Max Adrian, “A Fallible Complex,” 2021. Nylon, ripstop, blower, motion sensor. 92 x 136 x 76 inches.

Exhibition

Max Adrian: RIPSTOP

Through

Jul

26

Mar

29

Learn More

Exhibition

Connections in the Making

Through

Nov

17

Oct

31

Learn More