The Center for Craft is excited to present a solo exhibition of patchwork textiles and inflatable sculptures by the Ohio-based fiber artist. Adrian’s volumetric, pneumatic work transports viewers into artifice, desire, and worldbuilding. Drawing from rich legacies of queer fiber art & theory, the exhibition features monumentally scaled works that physically respond to viewers presence by filling with air.
You can still sponsor RIPSTOP by contributing before July 12, 2024. Donate today for your opportunity to be recognized during the opening reception on August 15, 2024, and on the exhibition's Title Wall. To underwrite this exhibition, please donate now.
Salvador Jiménez-Flores, The Resistance Of The Hybrid Cacti (Detail), 2017. Photo courtesy of the artist.
FRONT & CENTER
Front & center
Sleight of hand
a: a cleverly executed trick or deception
b: a conjuring trick requiring manual dexterity
Sleight of Hand brings together eleven works by six contemporary artists in the United States (US) who create humorous, quirky, or anthropomorphized objects in clay, centered around complex issues of race, gender, and immigration status, among other pressing social and political realities of our day. For these artists, humor is not merely an aesthetic choice; it is also a tool of resistance, resilience, and healing. The deliberate use of humor in ceramics traces back to the 1950s and 1960s Bay Area Funk art. However, in recent years, a younger and far more diverse generation of artists has revitalized this artistic strategy. This exhibition highlights this critical shift in the field of ceramics through the lens of artists of color. While the exhibition focuses on clay, the objects on display point to an expanded field that moves beyond sculpture to include video and paintings featuring ceramics.
As the exhibition title suggests, the exhibiting artists use their hands to produce visual illusions out of clay that, while cheery on the surface, can carry serious undertones. Humor is inherently deceptive, often the result of an exaggerated truth or a cunning trick that lends levity and clarity to subjects that are taboo or otherwise difficult to discuss. Strategies of irreverence, irony, absurdity, and cuteness are employed in Sleight of Hand to subversively establish accessible platforms for dialogue and engagement with profound and complicated narratives.
Two Ways to View
Virtual Tour
Online visitors can register to attend a virtual tour of this exhibition. Tour is scheduled for Thursday, December 3rd, 6-7 pm EST. This is a free event. A $5-10 donation at time of registration is recommended.
The Center is offering free, unguided visits and affordable tours of its exhibitions to the public. Guests can reserve a 30-minute visit to explore the current exhibitions, learn more about the Center’s national impact in their Craft Research Fund Study Collection, and enjoy interactive activities. The Center is open to the public Tuesday-Friday, 11 am -5 pm. Hours of operation may be subject to change.
Center for Craft is monitoring the effects of COVID-19 on the community and following the instruction of federal, state, and local health departments. Our top priority is always the health and safety of our staff, coworkers, and visitors. At this time, the Center can only allow a maximum of five guests in its public space at once and will require the use of masks or face coverings by all visitors, including children. The Center reserves the right to refuse entry to any visitor that will not comply.
Available in the Center for Craft shop, the Sleight of Hand catalogue includes a forward by Executive Director Stephanie Moore, an essay by curator Angelik Vizcarrondo-Laboy, and beautiful high-res images of the art. Follow the links below to shop now!
The Center for Craft is excited to present a solo exhibition of patchwork textiles and inflatable sculptures by the Ohio-based fiber artist. Adrian’s volumetric, pneumatic work transports viewers into artifice, desire, and worldbuilding. Drawing from rich legacies of queer fiber art & theory, the exhibition features monumentally scaled works that physically respond to viewers presence by filling with air.
You can still sponsor RIPSTOP by contributing before July 12, 2024. Donate today for your opportunity to be recognized during the opening reception on July 26, 2024, and on the exhibition's Title Wall. To underwrite this exhibition, please donate now.
The 2023 Curatorial Fellowship is supported, in part, by the Stoney Lamar Craft Endowment Fund. Thank you to Phillips, the leading auction house in art and design, for sponsoring the Curatorial Fellowship show.
The 2023 Curatorial Fellowship is supported, in part, by the Stoney Lamar Craft Endowment Fund. Thank you to Phillips, the leading auction house in art and design, for sponsoring the Curatorial Fellowship show.
RIPSTOP is supported, in part, by Arrowmont School of Arts and Craft.
The 2023 Curatorial Fellowship is supported, in part, by the Stoney Lamar Craft Endowment Fund. Thank you to Phillips, the leading auction house in art and design, for sponsoring the Curatorial Fellowship show.
The 2023 Curatorial Fellowship is supported, in part, by the Stoney Lamar Craft Endowment Fund. Thank you to Phillips, the leading auction house in art and design, for sponsoring the Curatorial Fellowship show.
The 2023 Curatorial Fellowship is supported, in part, by the Stoney Lamar Craft Endowment Fund. Thank you to Phillips, the leading auction house in art and design, for sponsoring the Curatorial Fellowship show.
Preservers, Innovators, and Rescuers of Culture in Chiapas is supported, in part by,
Aram Han Sifuentes is a recipient of the Center for Craft’s 2022 Craft Research Fund Artist Fellowship. This substantial mid-career grant is awarded to two artists to support research projects that advance, expand, and support the creation of new research and knowledge through craft practice.
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The Center for Craft is providing emergency relief in response to Hurricane Helene, directing critical resources to the artists of Western North Carolina. Donate now to join us in this effort, or if you are an artist who was affected, apply here, over the phone, or in person from 10 am to 2 pm on Wednesdays.
The Center for Craft galleries are now open on a modified schedule Monday through Friday from 10 am to 4 pm until November 1. Cowork at Center for Craft is open regular hours for registered Coworkers and 10 am - 4 pm for guests or day passes, offering reliable wifi, access to coffee, and community—free to makers in the region who were impacted. Email cowork@centerforcraft.org to learn more.
We are committed to being a source of encouragement as we move forward together.