Windgate-Lamar Fellowship
2022
History and folklore are our roots, which connect humanity. Like us, generations of trees communicate through the root systems. These connections drive my inspiration and research. I seek to evoke a kind of empathy through works that reflect the experiences of the immigrants in America, especially the first generation of Vietnamese. My narrative as a queer displaced person and an outsider of both nations is deeply engrained in my work.
Immigrating to America 5 years ago at the age of 17 challenged my understanding of my own racial identity, and I began to question my sense of belonging and even my judgment. I witnessed cultural values being forgotten and lost in transition. I recognized intangible aspects of my heritage forgotten, historical artifacts devalued, and sacred sites neglected. In returning to the moral lessons in Vietnamese folktales, I sought a kind of grounding in both my life and my work. Preserving and nurturing those concepts is fundamental to my practice.
Through investigating and learning contemporary and traditional craft methods, I grew more passionate about woodworking and foundry metalworking. By utilizing the traditional techniques and methods in working with bronze and bamboo, I seek to honor my ancestors' heritage. The incorporation of ancient symbols and metaphors of animal images allows me to introduce new concepts and provides layers for storytelling.
Selected works
“In the Theme of Home” September 2021; Pine wood, bronze, ash wood, poplar wood, Virginia bamboo, luggage tags, soil, plexiglass, rubber, silicone
“Thousand Years Heritage” May 2021; Bronze, ash wood, poplar wood; Wooden table: 30 x 18 x 18 inches, Axe: 13 x 2 x 1.5 inches
“Trick the Fortune Teller” January 2022; Cherry wood, bronze, brass rods, magnets, 6 x 9 x 5 inches
“Red Blood Yellow Skin” January 2020; Poplar wood, plywood, oil paint, lacquer, palm-leaf conical hat
“The Chameleon Among Us” January 2020; 132 x 52 x 48 inches
“All or Nothing” December 2021; 87 x 48 x 7 inches